All Access / Touring News!

‘New MySpace’ Focuses On Entertainment

MySpace lifted the veil on its much-anticipated redesign today, reining in the Wild West approach the social networking pioneer took to date with a far cleaner design focused on young users and entertainment content.

To be sure, the narrower focus of the new MySpace is a concession that the broader social networking play has passed it by. Facebook is now the “all-things-to-all-people” service, and MySpace isn’t even trying to play that game. MySpace is now a portal to all things music, movies, games and celebrity gossip, and it’s designed for a younger generation. So any discussion of whether the new redesign will help it catch up to Facebook should be shelved now.

Facebook has more than 500 million members worldwide while MySpace has less than half that. And according to eMarketer data quoted in the New York Times, MySpace’s ad revenue is predicted to fall from $470 million in 2009 to $297 million by the end of next year, while Facebook’s ad revenue will grow from $655 million to $1.7 billion in the same timeframe.

Now, instead of comparisons to Facebook, start looking for comparisons to MTV. The new MySpace is more a shot at doing what MTV has been trying to accomplish with its Web properties ever since MTV lost the bidding war for MySpace to NewsCorp in 2005 (When NewsCorp acquired MySpace for $580 million).

They had to focus and identify a core group they could call their own,” says Gartner analyst Mike McGuire. “This is the demographic that seems to be sticking that they can work with and innovate.

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Apple Poised To Extend Song Clips on iTunes

Better late than never.

One of the expected announcements that didn’t make it in Apple’s September music event was lengthening the iTunes song samples played from 30 to 90 seconds. But according to a recent communication to Apple’s record label partners, that’s about to change.

According to a note sent to iTunes partners, Apple is close to increasing its song sample length to 90 seconds for any song longer than 2-and-a-half minutes. When exactly that happens is not yet clear, as it has yet to finalize its negotiations with publishers to allow this change. But according to sources in the publishing community, those negotiations are far enough along that Apple is now roping in labels to get their buy-in as well.

In fact, according to sources, Apple has had agreements with the major labels for this since September (despite how some outlets have positioned today’s news). The note surfacing today was sent to the many independent labels that help make up the services 15 million song-strong catalog.

NMPA
Apple almost announced its plans to lengthen its song samples with the majors onboard back in September, but an objection from the NMPA threw those plans off course. The NMPA pointed out that Apple needs to get permission first under its existing licensing agreements.

There are actually two sets of agreements Apple needs in order to lengthen song samples. The frst is with performing rights organizations such as BMI and ASCAP for the performance royalty involved in streaming the song. Another is with publishers through organizations like the NMPA to update the mechanical license involved with downloading it.

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Listeners decide what’s good with thesixtyone

On thesixtyone, new artists make music and listeners decide what’s good. They’re nurturing a growing ecosystem where talented folks can sell songs and merchandise directly to their fans. Unlike a record or distribution deal where they only make $1-2 per album (if they ever get paid, that is), artists on thesixtyone make at least $7 per album and are paid every 30 days — no wait for recoupment and no complex royalty schemes!

They’re named after Highway 61, a U.S. route that runs along the Mississippi River and marks the origin of American music culture. Muddy Waters, Bob Dylan and B.B. King rode the 61. Elvis grew up in the housing projects along it. Highway 61 was the road by which people left their homes to take their music to the world.

thesixtyone, inc. was created in 2008 on the basis of yielding the highest annual dividend of auditory happiness for our shareholders across the universe

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Warner/Chappell Taps Broitman For Senior Post

Warner/Chappell Music named Ron Broitman to senior VP, head of synchronization. Based in L.A., Broitman will report to Scott Francis, president of Warner/Chappell Music and chairman and CEO, Warner/Chappell Music U.S. In his new role, Broitman will oversee Warner/Chappell’s film and TV, commercial, video and video game creative, quoting and clearance, and licensing areas.

Previously, Broitman served as senior VP of film, TV and advertising at Sony/ATV Music Publishing from 2006 to 2010. Prior to joining Sony/ATV he spent 10 years at BMG Music Publishing U.S., most recently as VP of film, TV and advertising Music.

By Billboard staff

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Michael Jackson Cirque Du Soleil Tour Will Be ‘A Celebration,’ Says Director

michaeljackson_soleil

Michael Jackson is going on the road in 2011 — even if the late Jackson isn’t there to be part of it.

Michael Jackson: The Immortal World Tour, a Cirque du Soleil production based on Jackson’s music and career, begins its North American run next Oct. 2 in Montreal. It plays 14 mostly Canadian cities in 2011, with 13 more announced already for 2012. Tickets are currently on sale to MichaelJackson.com subscribers and Cirque Club members, with general sales starting Nov. 6. Additional cities and multi-night engagements are expected to be announced.

John Branca, Jackson’s longtime attorney and co-executor of his estate, tells Billboard.com, “We always felt it was important to have a live show that would be representative of Michael and his music and what he would have done. A lot of people were disappointed they did not get to see the This Is It show, so we’ve always believed that people would want to once again experience Michael in concert, and we felt this was the best way to do it.”

The Immortal writer-director Jamie King — who’s worked with Jackson as well as Madonna, Prince, Britney Spears, Rihanna and others — has spent the past five months conceptualizing the show. He plans to start casting within the next month, with rehearsals starting in early 2011.

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Getty Images, Sony/ATV Partner For Pre-cleared Music Library

In keeping with its promise to provide “music for every project and every budget,” Getty Images has signed an exclusive agreement with Sony/ATV Music Publishing to license and distribute its expansive Spin City library.

Custom-created for Sony/ATV, the collection includes everything from R&B, soul, jazz, urban and hip hop to classical and orchestral music performed by some of the leading producers and session players in New York City. It joins the Pump Audio and Premium Playlist collections already available to Getty Images’ customers at www.gettyimages.com/music, which currently houses over 100,000 pre-cleared original tracks.

“Through the expansion of our music offerings and with the addition of the Sony/ATV catalog, Getty Images continues to strengthen our positioning in the global media environment as a leading digital media content provider,” says Jonathan Klein, Getty Images Co-Founder & CEO.

Indeed, the business of streamlined licensing has grown significantly in the last five years as online content providers, filmmakers and broadcasters find themselves in greater need of pre-cleared images, video footage and music. Combining the might of Getty, which acquired WireImage in 2007 for $200 million, with that of a respected publishing house like Sony/ATV, representing some of the world’s biggest independent artists and bands for use in motion pictures, film production, broadcast, advertising and new media, points to a match made in rights heaven.

By THR staff

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Apple Sues Motorola

Apple Inc sued rival Motorola Inc, claiming the Droid smartphone maker infringes on three iPhone patents.

Cupertino, California-based Apple says Motorola is purposefully using its touchscreen software, as well as other display technologies.

“Motorola’s infringing activities have caused and will continue to cause Apple irreparable harm, for which it has no adequate remedy at law, unless Motorola’s infringing activities are enjoined,” Apple said in a nine-page filing on Friday (Oct. 29) with the U.S. District Court for the Western District of Wisconsin.

Schaumburg, Illinois-based Motorola said it has not yet reviewed Apple’s filing, but that it intends to “pursue our litigation to halt Apple’s continued infringement.”

“Motorola has a leading intellectual property portfolio, one of the strongest in the industry, and we intend to vigorously defend ourselves in this matter,” the company said in a statement to Reuters.

The case is Apple Inc vs. Motorola Inc, 10-CV-662.

The suit comes after Motorola sued Apple in Delaware court earlier this month, asking a judge to declare it is not infringing on certain Apple software patents.

By Ernest Scheyder, Reuters

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Lady Gaga shows in Paris Postponed

Live Nation has postponed two Lady Gaga shows in Paris this weekend because of the strikes and protests in France over the plan to raise the retirement age.

The Oct. 22 and Oct. 23 shows at Paris Bercy have been postponed until Dec. 19 and Dec. 20 “as a result of the logistical difficulties due to the strikes in France,” said a Live Nation statement on Lady Gaga’s website.

“Unfortunately, as there is no certainty that the trucks can make it to the Bercy for this weekend’s shows, the Lady Gaga performances are now postponed,” said the statement. Fans must exchange tickets or seek refunds by Nov. 14.

Students have been protesting at plans in the pension reform bill to raise the retirement age from 60 to 62. Students fear that changes to the retirement age will mean fewer jobs available for them in the short term.

The French protests against proposed new legislation are now affecting the music sector, with strikers attempting to block the distribution of gas in the country for over a week now. Around 5,000 of France’s 12,300 gas stations were completely or partially running out of fuel on Wednesday (Oct. 20), according to the French ministry of Ecology and Energy.

Lady Gaga’s concerts are the only major shows to be affected so far in France. The strikes have prompted live bookers to find alternative solutions for other artists, such as using personal cars on tour for French breakthrough act Ben L’Oncle Soul.

A tour manager was slightly roughed up by strikers while driving a van for another artist – whose name was undisclosed – and required hospital treatment. It was a rare incident, the booker spokesperson stressed, adding that the concert was not canceled.

The French government has promised the situation will be back to normal within four days.

By Aymeric Pichevin, Paris

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OK Go and the New Era of Video Content

One noted rock band is at the heart of a new type of brand-funded content. OK Go, the band behind numerous online viral video successes, is using its online notoriety to work with global electronics company Samsung.

“The new primetime is daytime,” Omelet partner/CCO Steven Amato told the audience at a Digital Hollywood panel called “Advertising Sucks. Make Entertainment.” Omelet creates original online video content, sometimes for brands seeking an alternative to traditional advertising. His company also put together “Brainstorm,” a mobile and web series for Fox Mobile that incorporates the Altoids brand of breath mints, and a campaign for the release of Eminem’s album “Relapse.”

With OK Go, Omelet also put together video programming that shows the partnership the band and Samsung’s NX100 digital camera. The four behind-the-scenes episodes will show the band creating a video using the camera. It’s an approach that is far more integrated that mere product placement.

OK Go, pioneers in using online video, was an obvious musical act to get for the series, Amato said. “Their music is marketing for their videos,” he said. Amato correctly noted the band doesn’t make much money from its recorded music sales. Sales have been modest, and the band parted ways with Capitol Records earlier this year.

The band is wise to forego the traditional paths to success. It has long looked to the Internet as a workaround for its lack of radio play. Its videos gather 10 of millions of views but generate little record sales. They won’t show up on sales charts and can’t fund big marketing campaigns. But instead of using video to fuel sales, OK Go uses video to open up other opportunities.

The question is if OK Go will be the exception to the rule. Many artists partner with brands, but the standard model is to raise your profile through traditional channels and in partnership with a record label. For those artists who can completely re-think what they are selling and how to promote themselves, these types of opportunities will be available. Brands will continue to need to sell things, Amato said, and people will continue to want to be entertained.

By Glenn Peoples, L.A. @Digital Hollywood

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U2 To Play South African Soccer Stadiums

U2 will become the first international act to make use of two stadiums built especially for the 2010 FIFA World Cup when its 360 Tour lands in South Africa next year.

An announcement made today by Live Nation Global Touring and Big Concerts confirmed speculation that the Irish group will play two dates in February 2011. The band last performed in South Africa in March 1998 on its PopMart tour.

The first of the shows will be on Feb. 13 at the FNB Stadium, located in the Johannebsurg township of Soweto and the site of the opening and closing matches of the FIFA World Cup. It had a 94,000 capacity during the World Cup.

The second show will be at the 70,000-capacity Cape Town Stadium on Feb. 18.

“U2 has always been at their best when surrounded by their audience, and 360 allows that to happen – in stadiums”, U2′s manager Paul McGuinness said in a statement. “South Africa has the best stadiums in the world now and we’re really looking forward to bringing the full U2 360° production into these fantastic facilities.”

U2 is not the only act making use of the newly built stadiums: Live Nation’s South African partner, Big Concerts, recently announced that Neil Diamond will make his South African debut on April 2 at FNB Stadium in Soweto, followed by shows at Durban’s Moses Mabhida Stadium (April 5), Port Elizabeth’s Nelson Mandela Bay Stadium (April 8) and Cape Town Stadium on April 11.

According to a statement, the U2 360 Tour has recently finished up a European leg and is due to arrive in New Zealand and Australia before Christmas. By the time it reaches South Africa, U2 360 will have been seen by over 4,5 million fans.

The South African dates are produced by Live Nation Global Touring in association with Big Concerts. The tour media partners are 94.7 Highveld Stereo, 94.5 KFM and MNET.

By Diane Coetzer, Johannesburg

#### UPDATED – OCT/24 ####

Tickets SOLD OUT

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