All Access / Touring News!

How Facebook Will Change Digital Music

No longer just a popular social networking, Facebook’s new mission is to become the underlying social engine powering the entire Internet.

That’s what became exceedingly apparent yesterday during CEO Mark Zuckerberg’s keynote speech at the company’s F8 developers conference. There, he outlined Facebook’s new Open Graph initiative, which spells out this grand effort.

The upshot of Open Graph is this: Just as the British Empire in the 1700′s wanted to “make the world England,” Facebook aims to “make the Internet Facebook.” Facebook intends to take all the features users enjoy on Facebook – the like button, comments, friending, news feeds, etc. – and apply them to other websites, indeed the Internet at large.

Facebook already has trained more than 400 million users in how these functions work within the Facebook confines. Applying them to the broader Internet holds significant implications for the music industry. For instance, it’s no secret that music recommendation and discovery is considered the greatest digital music opportunity. More music is being created that ever before, and the digital music services that can best introduce users to the new music best suited for them in the most seamless way possible will benefit not only the music service, but the artists and labels trying desperately to reach new fans.

Facebook’s Open Graph initiative could conceivably create an Internet where digital music services will know each user’s musical preferences the minute they navigate to their site, and automatically cue up the playlists, recommendations and music geared toward them without going through today’s painful process of “teaching” the service to recognize their tastes.

EMI closer to being a new artist-only record company

This week, EMI may propose more layoffs as part of its five-year plan intended to woo investors, The Times reported on Sunday.

Charles Allen, EMI Music’s chairman, is expected to deliver the much-anticipated report to Terra Firma chief Guy Hands this week, according to the report. If the recommendations pushes EMI closer to being a new artist-only record company, Hands should be pleased. It’s the type of company he has had wanted all along.

An EMI spokesperson would not comment specifically on the timing of the plan’s release. “EMI is preparing a detailed business plan that outlines a long-term strategy for the group,” Billboard was told in an e-mailed statement. “The project is intended to strengthen the company by securing additional investment for future growth and creating stability for our current and future artists. EMI intends to complete the project by mid-June.”

Cirque Du Soleil To Create Michael Jackson Show

Cirque du Soleil will develop a series of shows based on the music and songs of Michael Jackson, representatives for the late singer’s estate said on Tuesday.

The projects include touring and permanent shows and a nightclub to open in Las Vegas.

The first project from the partnership will be an arena touring show expected to open in late fall 2011.

“Having attended Cirque du Soleil performances with Michael, I know he was a huge fan,” John Branca, a co-executor of the estate, said in a statement.

“We are excited to be partners with Cirque du Soleil to give Michael’s fans a truly unique way to hear, see and feel Michael’s music,” Branca said.

The “Thriller” singer’s estate and Canadian circus company Cirque du Soleil will each own half of each project arising from the partnership. They will split development and production costs, representatives for the estate said.

The singer’s mother, Katherine, said in a statement, “Our family is thrilled that Cirque du Soleil will pay tribute to my son in such an important way.”

Jackson died on June 25 at age 50 in Los Angeles. Authorities have said he suffered an overdose of powerful medications and his personal doctor, Conrad Murray, has been charged with involuntary manslaughter.

The Montreal-based Cirque du Soleil currently has a show in Las Vegas based on singer Elvis Presley, called “Viva Elvis.”

By Alex Dobuzinskis, Reuters

Australian Band Gyroscope Protests At Warner Hits Set

Australian alternative rock outfit Gyroscope has fired a broadside at their former label Warner Music for readying a hits compilation apparently without their consent.

In a statement issued today (April 22) and posted on their official Web site, the members of Gyroscope wrote, “It has just come to our attention that Warner Music are releasing a ‘Best of Gyroscope’ album. We only found out about this release after being notified by our fans on Facebook.”

According to the group – which comprises frontman Dan Sanders, guitarist Zoran Trivic, bassist Brad Campbell and drummer Rob Nassif — the hits set’s “song selection, artwork and everything about this release has been done without consultation with the band.”

Warner Music has yet to publicly announce plans for a Gyroscope best-of, and the music major did not respond.

However, Billboard.biz has seen a graphic of the planned compilation. The 15-song album, entitled “The Best of Gyroscope,” has an expected April 30 release date.

Now signed to Island Records (Universal Group), Gyroscope’s fourth studio album “Cohesion” debuted at No. 3 on the ARIA albums chart last Sunday (April 18).

“Cohesion” is the follow up to the Warner Music Australia release “Breed Obsession,” which topped the chart for a week on its release in March 2008.

The band will support the “Cohesion” with a national tour beginning June 4 at the Prince Of Wales venue in Bunbury in the band’s native Western Australia.

By Lars Brandle, Brisbane

Ash Cloud Grounds Metallica Tour But Show Goes On

Metallica braved long bus and boat rides — and bitter memories of a band member’s death — to dodge the fallout of an Icelandic volcano and stick to its rigorous European tour schedule.

Lead guitarist Kirk Hammett told reporters in Vilnius, where the band was giving its second concert Wednesday (April 21), that Metallica traveled 28 hours to get from Oslo to the Latvian capital of Riga — a trip that normally takes just over two hours by plane.

“I just could not relax, thinking, ‘Wow, those buses have changed a lot since we traveled.’ They are so much more comfortable. You see, we did not use this means of transportation for more than two decades since the tragedy,” Hammett told reporters.

In September 1986, during a European tour, bassist Cliff Burton was killed when the band’s bus skidded out of control and flipped several times near Dorarp, Sweden.

“When we boarded the bus again this week and had to travel overnight, I realized that those bad memories are still here. I still haven’t overcome the fear of buses. But the show must go on,” Hammett said.

After a bus ride from Oslo to Stockholm, the band on Friday boarded a Tallink cruise ship and sailed to Riga, where it performed a day later.
On board the ship were many astonished Metallica fans who — grounded by the closed airports — grabbed last-minute tickets to make the Riga show.

“It was kind of exciting, like a big party,” said Liga Viskinte, 23, a Latvian who works in Stockholm but traveled home to see the concert.
She said Metallica singer James Hetfield and bassist Robert Trujillo drank beer in the ship’s crowded karaoke bar, where they watched a passenger do a rendition of “Whiskey in the Jar.”

“The singing was awful, but no one seemed to mind,” said Viskinte.

Metallica is scheduled to leave Lithuania for Moscow on Thursday — and Hammett said they’ll be taking the train, an approximate 13-hour journey, unless airspace restrictions are lifted.

“It would take a really great force to stop us,” Hammett said, adding that he had no idea how the band and its road crew would get back to the U.S. from Russia. “But we’ll figure it out somehow.”

Associated Press

Poor AT&T Service Hurts Smartphone Apps at Coachella

iPhone aps are great – except when network gridlock prevents them from working. Coachella’s smartphone app was among those hit by poor AT&T service at the three-day festival in Indio, Calif. Judging from reports coming out of the festival, calling or sending texts to friends was often impossible. Hot geolocation apps like Foursquare, good for locating friends at large gatherings like music festivals, were often rendered useless.

The 2010 Coachella app, created for iPhones and Android devices, contained many features dependent upon a functioning network: an interactive map, a friend finder, photo uploading, and map marker that notes the location of a car or campsite. In theory, those are great perks for attendees. The friend finder is especially helpful at a sprawling event site with numerous concurrent events to splinter a group of friends.

In a statement to the SF Weekly, AT&T says it took measures to accommodate the additional traffic. Separately, the company was letting people know that Wi-Fi was available but it appears the word did not get out.

Indio was a “dead zone,” one person told the SF Weekly. Over the weekend, Twitter wasfull of criticism at AT&T for poor cellular coverage at the festival. One person spent six hours looking for a friend, “no thanks to AT&T.” Another wrote, “My lack of tweets and updates during Coachella brought to you by AT&T.” A tweet from music blog Stereogum claimed service was so bad AT&T should issue a refund to everyone who attended the concert. Musician Sondre Lerche, who did not perform, apologized to followers for not tweeting from the concert due in part to poor AT&T service.

Dependence on acceptable cellular coverage makes creating a custom music festival app a tricky proposition. C3 Presents’ Michael Feferman warned of this challenge in Billboard’s recent article about Foursquare. A promoter who builds an iPhone app, he explained, will face the complications of an overloaded network. When fans can’t use that app during the concert, a promoter’s investment will be negatively impacted.

By Glenn Peoples, Nashville

French Biz Launches Lobbying Group

The French music business has launched the umbrella organization Tous Pour la Musique (All for Music), designed to lobby for the sector and to help educate the public on online legal offers.

Similar in the concept to British organization U.K. Music, Tous Pour la Musique has a wider reach as it regroups labels’ trade bodies (Snep, UPFI, SCPP, SPPF) as well those representing publishers and songwriters (CSDEM, SACEM, SNAC, UNAC), managers (MMF), artists (ADAMI, SFA), live companies (PRODISS, CNV), retailers (SDLC), plus national music information center IRMA and the FCM, the sector’s fund to support music creation.

The organization is chaired by independent publisher Halit Uman, who stated: “Tous Pour la Musique aims at defending the remuneration of the sector players, but also at supporting the exposure of music in the media and the development of all online offers that respect rights holders.”

While Tous pour la Musique was announced last summer, it launched officially today with the launch of the portal www.touspourlamusique.org, which gathers links to all the online music stores available in France.

By Aymeric Pichevin, Paris

Thom Yorke, Pavement, Gorillaz on Coachella 2010

The 2010 Coachella Music and Arts festival came to a close Sunday night (April 18) with strong sets by its mainstagers Gorillaz, Thom Yorke and Pavement, and surprises by more than a few artists on the field.

While the name of Thom Yorke’s new outfit, Atoms for Peace, was not published in the festival’s printed matter, his band was filled with artists more than familiar with festival-headlining gigs, most notably the Red Hot Chili Peppers’ bassist Flea. Together, they adapted songs from Yorke’s solo album “The Eraser,” as well as several Radiohead songs, with a world beat-inflected, danceable sound and softer acoustic-style instrumentation that extended their appeal to new audiences.

Pavement, who played one of the first U.S. shows since announcing its reunion, exceeded audience expectations. With a tightly performed set, the group breezed through its discography confidently with punched-up arrangements that took advantage of Coachella’s outstanding sound system. “That’s the 90′s in a nutshell,” said self-deprecating lead singer Stephen Malkmus after the band roared through “Unfair,” an anthem of anti-corporate angst that makes frequent reference to Pavement’s California roots. But their performance transcended nostalgia; the band seems fully recharged.

Gorillaz, who closed the festival, performed unveiled — a change from the projection screen that virtually replaced the band members with cartoon characters on their first tour. Earlier in the day, Phoenix took a similarly low-key approach with their set because their video projectionist could not fly out of Europe due to flight delays related to the volcano eruption. Even though artist cancellations peppered the weekend’s lineups, it also underscored the global reach of the festival’s roster, particularly on its final day.

Live Nation Launches Concert Business In Australia

Live Nation Entertainment Inc. is launching a concert promotion business in Australia, the seventh largest music market in the world.

The company, formed by the combination of concert promoter Live Nation and Ticketmaster, said Monday it named Luke Hede as VP of international booking for Live Nation Asia. Live Nation says Roger Field will be VP of promotions in Australia and New Zealand.

The pair will lead the launch Live Nation’s concert business in the region.
The company says Ticketmaster was already operating in Australia and New Zealand for the past 20 years.

Live Nation Australia will be based in Melbourne.

Associated Press

Viacom releases more Google/YouTube documents

The war of words between Viacom and Google continues, as part of the former’s $1 billion copyright infringement lawsuit over YouTube.

New documents released by Viacom claim that “Google made a deliberate, calculated business decision … to profit from copyright infringement,” when it bought YouTube, and that it explicitly tried to “coerce rights owners like Viacom into licensing their content on Google’s terms”.

The documents include emails between Google execs admitting “YouTube’s business model is completely sustained by pirated content” when planning the acquisition of the video site.

Google has responded sternly: “It’s revealing that Viacom is trying to litigate this case in the press. These documents aren’t new. They are taken out of context and have nothing to do with this lawsuit.”

Yesterday, Google announced its financials for the first quarter of 2010. It generated $6.77 billion of revenues, up 23% year-on-year. Its profits for the quarter were $1.96 billion.

There were few details on YouTube specifically, although chief financial officer Patrick Pichette did say that “We saw very impressive growth on YouTube with several exciting new content deals signed”.

Music Ally

Powered by WordPress